Storytelling with Gripping and Rousing Hip Hop Tracks- TheRapperAK Drops Original Debut EP ‘Introduction’ – World News Report

Wayne Kennedy

Wayne Kennedy

A stunning debut EP by TheRapperAK, ‘Introduction’ is a look inside the artist’s ingenious mind, with noteworthy features from Minus and C-Mob

WYNNE, ARKANSAS, UNITED STATES, October 14, 2022 /EINPresswire.com/ — A phenomenal debut by TheRapperAK, the ‘Introduction’ EP, is slated to drop for audiences on October 14th, 2022. The new album was recorded at Young Avenue Sound Legendary Studios in Memphis, Tennessee, and features the unbridled musical prowess of the artist.

Offering audiences a glimpse into the artist’s life, the new EP displays several dynamic tracks and an anthem for his hometown football team. ‘Introduction’ also features contemporary artists Minus and the legendary C-Mob on the track, ‘Expectations.’

A brilliant and stunning new EP, ‘Introduction,’ focuses on the artist’s many goals and beliefs as well as the struggles he has had to grapple with throughout his life. A unique standpoint in Hip Hop, TheRapperAK’s music has been carefully crafted to mirror his life. Each track represents an intriguing new tangent underscored by a storytelling flow.

TheRapperAK remains inspired by renowned Hip Hop artists with clean flows and storytelling abilities, such as Eminem, Hopsin, Joyner, NF, and Kendrick. With hopes of enthralling listeners with live shows, the eclectic artist aims to book a tour within the next year while also working on new and original tracks.

“As a white kid growing up in the “hood,” Hip Hop music made way for me to express myself and show that I was able to fit in. It helped me deal with the struggles of others knowing I had a family of people just like me- even if we weren’t the same shapes, sizes, and colors, we all had one thing in common,” says TheRapperAK.

Stream TheRapperAK’s stunning new EP, ‘Introduction,’ all set to drop on October 14th, 2022, on all his official music platforms! Follow the artist on social media for updates on new music and buy the new album on iTunes. You can reach out to the artist through therapperak@therapperak.com for business inquiries and collaboration opportunities.



Wayne Kennedy, also known as TheRapperAK, is a 30-year-old artist, dad to an autistic baby, and a carpenter by trade. TheRapperAK grew up moving from one city to another with his mother, going through several formative experiences with different people, which his parents never found out about.

Through the times he spent exploring, TheRapperAK learned a lot about life and music and the struggles of being an inhabitant in low-income housing. The artist remained inspired by musical greats such as 2Pac and Bone Thugs, as he truly understood and related to the struggles they lived. Growing older, TheRapperAK failed to find authentic and relatable music, so he began making his music.

Inspired by his own life and journey, the talented artist composes tracks that focus on who he is and what he is going through, delivering a uniquely personal perspective. TheRapperAK hopes to provide listeners with meaningful tracks, honoring the value Hip Hop music had for him.


Facebook: https://www.facebook.com/TheRapperAK

Instagram: https://www.instagram.com/TheRapperAK/

Twitter: https://twitter.com/therapperak_

YouTube: https://www.youtube.com/channel/UCrMpLxF3T1bloZW21HDN7Vw

Spotify: https://open.spotify.com/artist/5MayGrOw8uO1yRoJfIyi9g

LastFM: https://www.last.fm/music/TheRapperAK

LinkedIn: https://www.linkedin.com/in/wayne-kennedy-9a930a87

Wayne Kennedy
+1 800-983-1362

My Day (official music video) by A.K.

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The Atlantic City you probably don’t know

Of all the Jersey Shore towns, Atlantic City is unique. It has casino gambling, big glitzy hotels, top-name entertainment and never-ending nightlife. You may also know AC for its crime and its rougher side.

As you drive through Atlantic City, before you get to the boardwalk and the casinos or drive from there to the casinos on the Bayfront, you see some pretty rough neighborhoods.

But underneath all that, it’s still a Jersey Shore town.

Atlantic City has great mom-and-pop restaurants, family-run stores and businesses, hotels and condos and great residential areas.

Yes, great residential areas — if you go to the very north end of the city by the inlet, past the Absecon lighthouse.

Yes, Atlantic City has a lighthouse. You will also find some spectacular homes in the Inlet neighborhood.

If you take exit 2 of the Atlantic City Expressway, before entering the center of town, you’ll be on Route 40, the old Blackhorse Pike.

That turns into Albany Avenue and if you make a right, you are in what is known as Lower Chelsea.

You could be in Spring Lake, Avon, Loveladies, or Deal for that matter. You’ll find quiet streets with large majestic old Jersey Shore three-story houses and great people.

One of the best features of this part of town is that the beaches are less crowded and best of all, yes, they are free.

Stockton University built a new campus right on the boardwalk just south of Albany Avenue. For the next 12 blocks, you’ll find less crowded beaches and more of a residential local crowd.

There’s also ample parking at the lot just south of the college and the Stockton three-story parking lot is open to the public, as well. That section of the city adjoins the town of Ventnor which leads into the towns of Margate and Longport — which are distinctly different from what you find on the main strip of Atlantic City.

All those towns, including Atlantic City, are part of what is Absecon Island.

If you’re looking to find a new Jersey Shore spot to enjoy this summer, you might want to check out North Beach and Lower Chelsea.

For breakfast and lunch check out Brittany‘s Café. If you want drinks and a great meal at a waterfront bar, go to the Wonder Bar. Dine like a local for dinner, check out Scannicchio’s at Lefty’s Bar. You’re welcome!

The Atlantic City you probably don’t know

Opinions expressed in the post above are those of New Jersey 101.5 talk show host Dennis Malloy only.

You can now listen to Dennis & Judi — On Demand! Hear New Jersey’s favorite best friends anytime, anywhere and any day of the week. Download the Dennis & Judi show wherever you get podcasts, on our free app, or listen right now.

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Cape May, NJ: 15 wonderful places to visit

15 sensational places to visit in Seaside Heights and Seaside Park

From amusement rides to all the boardwalk food and lots of water fun, Seaside Heights and neighboring Seaside Park have endured as a family friendly spot for all ages.

Along the way, the Seaside Heights Boardwalk and Casino Pier have been struck with tragic disasters – such as fire, Superstorm Sandy and another fire. Both have proven their resiliency through rebuilding and expansion.

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Amid rising seas, Atlantic City has no plans for retreat

ATLANTIC CITY, N.J. – Some cities around the world are pulling back from shorelines, as rising seas from climate change increase flooding. But so far, retreat appears out of the question for Atlantic City, New Jersey.

The breezy getaway town is on the water on a barrier, which was once reachable only by boat but in modern times via a causeway. The city fully occupies a small piece of land, water on either side, just above sea level.

“We love our residents,” said Barbara Woolley-Dillon, former Atlantic City Planning and Development Director. “We have one of the most diverse populations… it’s a great place to be, and we have such a thriving community that we want to do everything we can to keep it intact.”

There is no obvious place for 38,500 residents, about 33% Black, to go. The city, popular with vacation goers in the Eastern U.S., particularly in the summer, brings in billions of dollars in revenue, another incentive to keep it intact as long as possible.

“Atlantic City is a seven billion dollar a year economic engine” that benefits all of southern New Jersey and must be maintained, said Jim Rutala, an Atlantic City planning contractor.

Still, the flooding is getting deeper and more frequent. In 1910, researchers installed a tide gauge at the end of Steel Pier Amusement Park. The gauge shows the sea has risen a foot and a half since then, more than double the global mean sea level rise.

City leaders have no plans to take state offers to buy and demolish homes in flood-prone areas, according to Rutala.

Instead, officials are spending $100 million, from 2016 through next year, to “fortify and armor” the city from rising sea levels by installing sea walls, pump stations and bulkheads, according to Rutala. Unseen by most tourists, a newly built pump station in Fisherman’s Park pushes ocean water that has come ashore back into the bay. It is common to hear construction crews at work building structures with entrances elevated to strict new height requirements.

Other cities in New Jersey have taken a different route to confront flooding. In Woodbridge, about 100 miles north of Atlantic City, in recent years the state has bought and torn down more than 150 homes to remove people and property from the danger of future floods.

In Atlantic City, tourists and residents walk along street names that inspired the Monopoly board game, such as Baltic Avenue and Park Place. Casinos pull in people hoping to win big at the poker table or slot machines. And outside are wide-open beaches and boardwalk amusement park rides.

Twenty-seven million people visit the resort town annually. For some, it’s a place to escape from their daily lives. For others, it’s a way to live a simple life by the ocean.

For many residents, it’s unbearable to contemplate a future without the city.

“This part of Atlantic City is just very tightly knit and we are a nice little neighborhood,” said elementary school teacher Abby Moul, 47, as she played with her dog in the north part of the island. “It is kind off the beaten path and that’s what I love about it.”

Under current projections for global emissions, Rutgers University estimates that New Jersey is likely to experience another one to three feet of sea level rise between now and 2070, according to Robert Kopp, Rutgers climate scientist. And the land here is sinking from what scientists call the “see-saw” effect of melting glaciers much further north.

It’s unclear if the city’s new fortification projects will be enough to confront the projected sea level rise. The U.S. Army Corps of Engineers estimates that New Jersey’s 950 square miles of beaches and back bays will sustain more than a billion dollars in annual flooding damage in a few years.

Atlantic City is the one of the poorest and most densely populated part of the New Jersey coastline. More than two dozen different languages are spoken in city schools.

Many people here have what locals call “back-of-the-house” jobs at one of the nine casinos, preparing food, cleaning rooms and other work.

It can cost $150,000 in the denser, older parts of the city to raise up an $80,000 home to protect it from “nuisance” flooding, periodic flooding, sometimes from high tides or backed up drainage systems. That cost is simply out of reach for many.

On a recent afternoon, lifelong Atlantic City resident Zakiy Abdullah, 45, a forklift operator, did his best to keep his three-year-old daughter Jamaarah Wells from riding her tricycle through flood waters in the street.

“Flooding it is a constant problem,” said Abdullah. “As you can see, the water has not evaporated from the other night.”

Kimberly McKenna, of the Stockton University Coastal Research Center, says most of the increased flooding in Atlantic City happens in the part of the island that faces the mainland, called the back bay. That also happens to be where many people live in poverty.

Residents often move their cars to higher ground during high tides and full moons.

“Those floods, what we may now call nuisance flooding, will turn into regular flooding,” said McKenna. “And that’s going to be persistent flooding. People won’t be moving their cars. They will be moving their homes.”

Local coastal governments like Atlantic City will have to decide whether to manage a retreat from the coastline over several years, or to stay and only leave when and if the flood waters become unlivable.

“You don’t need to give up a community right now because of the risk of three or five feet of sea level rise,” said Kopp, the Rutgers climate scientist. “But you need to think about how redevelopment plans you are making today will fare in the future. There is no simple solution.”


Associated Press climate and environmental coverage receives support from several private foundations. See more about AP’s climate initiative here. The AP is solely responsible for all content.

Copyright 2022 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed without permission.

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NJ Halloween decorations, haunted houses and things to do

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Ronald Filson

Ronald Filson, architecture dean who ‘put Tulane on the map,’ dies at 75 | Education

Ronald Filson, a Yale-trained architect whose career included three years in the Algerian desert, 12 years as dean of Tulane University’s School of Architecture and a standoff with Donald Trump, died Sunday of a heart attack in White River Junction, Vermont, while attending a Yale reunion conference, said his wife, Lea Sinclair Filson. He was 75.

When Filson started at Tulane in 1980, he was 33 years old, one of the youngest deans in the country, said Errol Barron, a professor emeritus of architecture at Tulane: “He was a kid. He charmed the pants off everybody because he was full of energy and enthusiasm. … He pumped life into the school. He brought in all these young people. They energized the school.”

He was happy running a school where the lights were on day and night as students worked on their projects.

Ronald Filson

Ronald Filson poses June 7, 1981, at Tulane University in New Orleans, where he is dean of the School of Architecture.

“The long hours and hard work breed a feeling of camaraderie among the architecture students, and they stick together,” Filson said in the 1981 Jambalaya, Tulane’s yearbook. “They feel like one big family — like most families, happy at times and unhappy at others. “

Filson said he hadn’t expected an academic career, but it was something for which he had been preparing for years. When he was an undergraduate at Yale, he was a teaching assistant to Charles Moore, the architecture dean who known in New Orleans for creating Piazza d’Italia and the Wonderwall at the 1984 world’s fair.

In 1974, he was recruited to teach at the University of California at Los Angeles, where he became assistant dean of the architecture school and directed the Urban Innovations Group.

Six years later, Tulane offered him the architecture deanship. “He ate the job up,” said Barron, who chaired the search committee. “He put Tulane on the map.”

Studied in Rome

Born in Chardon, Ohio, Filson said he knew when he was 6 that he wanted to be an architect. While an undergraduate at Yale, he and Dan Scully, a fellow student, won a Rome Prize to underwrite a year of study at the American Academy, a private arts and research institution in Rome.

After completing his degree at Yale, he was offered a job to restore the legendary Casbah of Algiers. But by the time he got to Africa, he said in an oral history on the 50th anniversary of Yale architecture’s Class of 1970, the 17th century citadel wasn’t ready for work yet. So he was sent to the M’Zab Valley, a 10th century village that is a UNESCO World Heritage Center, which he described as “an incredibly dusty little Sahara Desert town.”

He wound up spending three years in Algeria, half of that time in the valley. The work, which, he said, consisted of restorations and “designing new stuff,” was “a really wacky job.”

The Trump connection

For the next two decades, Filson was an academic. After stepping down from the Tulane deanship, Filson set up an architectural practice. Among the people he encountered in the mid-1990s was a go-getting New York City real estate developer named Donald Trump, who was heavily involved with casinos and opulent hotels and apartment complexes.

The two men when Filson went to Gulfport, Mississippi, to discuss his proposal for a master plan for the Marine Life park there. Trump, who was there because of his interest in the Marine Life project and casinos on the Gulf Coast, told Filson, “I like the presentation. I have some other projects I’d like to talk to you about,” according to Filson.

Trump invited him to fly that night on his private jet to Atlantic City, New Jersey, where Trump said he wanted to renovate the Steel Pier, an amusement park that had seen better days.

‘We’re stopping work’

“He was fishing for free proposals,” said Filson, who knew of Trump’s reputation for short-changing people who worked for him.

As for the Marine Life project, Filson said, “The longer we worked on it, the worse it got, probably because of Trump’s involvement and trying to keep changing things.”

At one presentation that included an architectural model, Trump ripped off both of Filson’s models for entry pavilions. “I realized he was pulling out of the project,’ Filson said.

By then, Filson had had enough.

“I made it clear that if we weren’t paid within five days of the invoice, we’re stopping work,” he said. “He understood, and I got paid all the way through.”

Filson was president of the Arts Council of New Orleans, a member of the Contemporary Arts Center board and the city Planning Commission.

Filson and Lea Sinclair, whom he married in 1999, shuttled for several years between New Orleans and Ohio, where he renovated the family farmhouse. Then they moved to Plymouth, Massachusetts, which was fitting for his wife was governor general of the General Society of Mayflower Descendants.

Survivors include his wife, Lea Sinclair Filson; a daughter, Lily Virginia Filson; and a grandchild. His first marriage, to Susan Virginia Saward, ended in divorce; she lives in New Orleans.

Funeral arrangements were incomplete Tuesday, but Lea Filson said a memorial service will be held in New Orleans.

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In memoriam: Remembering downtown businessman Ian Moseley, celebration planned in his honor

WILMINGTON — A downtown entrepreneur, whose hands were involved in many well-known restaurants and drinking establishments, as well as arts and entertainment venues over the last three decades, has passed away. 

Ian Moseley died Oct. 4 from complications due to a 2017 kidney transplant; he was 55. His friends and family will host Moseley’s going away celebration at Bakery 105 on Monday, Oct. 17, at noon.

READ MORE: The Ivey focuses on affordable craft cocktails, opens in downtown alleyway

Revered for his big personality and infectious smile, Moseley’s business acumen for the food and beverage industry and a love for live theater leaves a footprint in the area. He opened establishments including Level 5, City Stage, Husk, YoSake, Fibber McGee’s, Dram and Morsel, Market Street Saloon, Slice of Life — “and many others I probably forgot about along the way,” Moseley told Port City Daily in March.

The Ivey, located in an alley across from the Blue Post, was Moseley’s last venture, having opened on St. Patrick’s Day.

“I can do a bar inside and out; I have a PhD in bars,” he said right after its opening.

Justin Smith — Moseley’s best friend and business partner in at least eight or nine projects throughout 20 years — said his friend had an eye for aesthetics, blending old with new, creating experiential places to dine and drink. He also had a way of making sure the businesses remained convivial and promoted camaraderie among patrons. 

“I don’t know how you would necessarily define success,” Smith said, “but if I could put my finger on it, I’d say it’s putting a lot of heart and soul into Wilmington. That was always the end-goal.”

Shortly after opening the alleyway bar earlier in the year, Moseley was admitted in and out of the hospital due to complications with his kidney. Partners Steve Gaconnier and Mike Webber kept up daily operations of The Ivey. Yet, even while confined to regulatory nurse check-ins, Smith said Moseley monitored the establishment as much as he could from afar.

“I gave him updates and reports every Monday,” Smith said. 

Smith and Moseley first met in 1994 at The Wave Hog Saloon. Moseley opened the bar at 12 Dock St. — currently housing Wilmington Distillery — with friend Dan D’Allasandrio. D’Allasandrio said he hired 21-year-old Smith for security after briefly meeting him at the Wave Hog.

“He was so well-mannered and just a great guy from the beginning,” D’Allasandrio said. “And that’s how I hire a lot of people — within 5 or 10 seconds, you know where somebody’s heart is. Same thing can be said about Ian and Tanya.”

D’Allasandrio said he met Moseley and his then-girlfriend, Tanya Wilman, in Key West. Both D’Allasandrio and Moseley worked at the Hog’s Breath Saloon, the inspiration behind opening Wave Hog in Wilmington. 

The two, both originally from New Jersey, heard of a small up-and-coming coastal town in North Carolina that would be perfect for an investment opportunity. Wildman remembered the two business partners traveling up for vacation and upon returning Moseley saying, “Pack your bags, we’re moving.”

“We met through a mutual friend,” Wildman recalled. “I remember thinking when I met Ian, ‘Who is this larger-than-life guy?’” 

His presence was big and so was his quick wit and big heart. “He would tear up at the littlest things — like sad, happy commercials and stories,” she said.

Moseley married Wildman in 1997 on Wrightsville Beach. “It was a true Scottish wedding with men wearing kilts and bagpipes playing,” Wildman remembered. 

They also had a wedding celebration at Wave Hog. 

The bar was up and running five years before D’Allasandrio and Moseley veered into other ventures by the late ‘90s. D’Allasandrio built Reel Cafe and Moseley started Slice of Life’s flagship restaurant downtown, at 122 Market St., the corner of Market and 2nd streets where Fork ‘n’ Cork is now located.

“But we still remained friends,” D’Allasandrio said. “Ian and Tanya were the first people to welcome my first child into the family. They showed up with a big teddy bear and all smiles.”

By the early 2000s, Ray Worrell was working for Moseley at Slice of Life. Worrell had been a part of the downtown restaurant scene since the late ‘80s and said when Moseley and D’Allasandrio opened Wave Hog, he could count on two hands the number of bars and restaurants downtown.

“Many people say that in a lot of small cities in the country that have been revitalized,   the first thing that typically happens is you get the bar and restaurant scene going,” Worrell said. “Ian and Dan were a part of that.”

Worrell and Moseley ran an amusement operation together, putting bar games, jukeboxes and pool tables in various establishments. They grew the business and sold it within a few years, and by 2003 Worrell, who always wanted to own a pizza shop, had saved enough capital to take over Slice of Life.

Moseley’s first restaurant lives on in the city, as Worrell has expanded Slice into four operations serving the greater Wilmington area. 

“Ian had a real talent for walking into a space and recognizing it would work in Wilmington, then shaping and molding it into his own,” Smith said.

“These are all blank canvases,” Moseley told PCD in March.

While the food and beverage industry was Moseley’s passion, his love for the arts also prevailed. Moseley was a driving force behind City Stage, launched with Smith in 1999. Before founding the alternative theater group in a historic theater on Front Street, Moseley helped finance shows for Cosmic Theatre Productions — Smith’s first theater company.

“I trepidatiously walked up to him during the first show and said, ‘Hey, I’m producing this show and I don’t have any money. We’re going to do it in this room at the public radio station, WHQR. Ian’s like, ‘Well, how much do you need?’ I said, ‘$500.’ And he handed me $1,000.”

Smith’s second show was “Marvin’s Room,” with a plotline centering on caretaking of family members with cancer. Moseley had recently lost his mother to the disease, Smith remembered.

“He gave me $2,500,” Smith said. “He was so very proud of that show and to have Wave Hog sponsor it. He brought the entire Wave Hog staff, purchased all the tickets, for them to see it. And that really started our game in theater. Ian had a deep appreciation for the arts.”

It propelled a 25-year run with City Stage, located at 21 N. Front St. The group often gained rights to shows that weren’t being staged otherwise in the area. 

Moseley’s favorite, according to Smith, was David Sedaris’ “Santaland Diaries,” which became a holiday tradition in town for actors. It centers around Crumpet the elf — a downtrodden worker in Macy’s Santaland during the holidays, who humorously recounts all the capitalistic, repugnant behaviors of human kind in a 45-minute monologue. It was played by a different actor annually; Smith, standing 6-feet-9-inches tall, took on the role in 2009.

“We did everything together,” Smith said of Moseley. “On family vacations, usually after we’d had a couple of drinks, he would make me recite the last four minutes of ‘Santaland’ because he loved it so much and he loved a good cry. He would badger me until I did it. He always said, ‘It warms my heart.’ That’s just kind of the guy he was.”

Moseley was president of City Stage and helped launch over 100 productions, until he sold it in 2016, the year he fell ill and needed a liver and kidney transplant. 

Smith, Fauber and Wildman, along with Moseley and Wildman’s son Aidan, all rallied around him. Wildman said she will never forget the look on the doctor’s face in Chapel Hill after the transplant operation ended. 

“He said, ‘You are his wife?’ We were still legally married at that time but separated for a while, and I said ‘yes.’ Then he looked at Landon and asked ‘And who are you?’ and Landon said, ‘I am his girlfriend.’ The doctor said, ‘Wow he is one lucky man!’ It was a running joke at the hospital that we were sister wives. Ian always loved to introduce us as his wife and girlfriend.

The transplant allowed Moseley more time with family and friends, which Wildman said equaled more bonding and playing nine holes with their son, Aidan.

“They loved to golf together and watch football,” she said, adding that Aidan always brought Moseley his biggest joys in life. 

“He was very special,” Wilman added. “I will miss talking to him two or three times a day whether it be about our son, business, politics. He always offered to help me if I needed something and I still remain part of his family even after we were no longer together.”

Moseley met Fauber while taking Aidan to school at Forest Hills Elementary; their children were in kindergarten and first grade at the time. 

“He had a beaming smile on his face and it was so apparent how proud of a father he was,” Fauber said.

Aidan started his first semester at Appalachian University in the fall. While Wildman said living through the illness with his father has allowed everyone time to come to terms with Moseley’s illness, the loss isn’t any easier. But it made the moments more treasurable. In lieu of flowers, a college fund has been started for Aidan in Moseley’s memory.

Smith said Moseley helped plan his going away celebration with Wildman and Fauber during his last days. It will include live and recorded music, featuring tracks by his favorite musicians — Jimmy Cliff, Bruce Springstein and Annie Lennox. 

“He also was a goofball,” Smith said. “So Kid Rock will be on there.”

“I’m Going Home” from “Rocky Horror Show,” which Moseley produced five times with City Stage, will be featured.

Eulogies are planned and a reception will take place afterward with hor d’oeuvres and Slice of Life pizza served.

“Too often, people wish away their days, waking up on Monday and counting down the days until the weekend,” Fauber said. “When Ian and I started living together a few years ago, every day was Friday for us and not a single day was taken for granted. One of the last things I did was thank Ian for making me a better person and showing me true love.”

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Architect Richard Crowther’s Ground-Breaking Home Could Be Demolished

Richard Crowther, a green building pioneer, was a giant in Colorado’s modern architecture movement, and the residence he designed for himself and his wife, built in 1978-’79 at 401 Madison Street in Denver, is a masterpiece of both high-style formalism and environmentally friendly engineering. It is in the very top tier of the state’s architectural achievements, and among the state’s finest structures.

It’s also in danger of being demolished.

The vanguard style of the house — actually two units, with a caretaker’s apartment on the garden level —lends it the character of an abstract constructivist sculpture. There’s a dramatic conception of the formal elements, with deeply recessed windows and doors, and a lively skyline of wedges, slabs and barrels. It was constructed using cast-in-place reinforced concrete, accented by extensive areas of glass trimmed in metal. The walls were finished to absorb heat in some places and to repel it in others.

This incredible house, a de facto landmark in Cherry Creek North, was beautifully maintained for decades. But Crowther passed away in 2006, and as the house passed through various hands, it was neglected and vandalized. The worst damage is to the Crowther-designed eco-responsive landscape, which has been completely lost, as well as to some original finishes inside. Despite the predations of miscreants, though, the house is still structurally sound and has not been substantially altered — and given how well constructed it was in the first place, it is eminently restorable.

click to enlarge

Neufeld House, 1955, by Richard Crowther in Hilltop.

Tom Lundin for 5280mod

But in May the house was sold for $4 million — location, location, location — to MAG Builders, a developer that wants to knock down the building and replace it with four luxury duplexes. The new owners have erected a fence of doom around the place, adding insult to the injury of its current condition, and filed an application for Certificate of Demolition Eligibility with the city this summer.

Three citizens recently filed an application opposing any demolition with Denver’s Landmark Preservation Commission, however. They are architect Alan Golin Gass, who knew Crowther and sponsored his nomination as a fellow in the American Institute of Architects; Tom Hart, a fellow architect and member of the Historic Denver board of trustees; and Michael Hughes, who owns another of Crowther’s houses, which he restored. The three came together through Docomomo Colorado — a group dedicated to documenting the modern movement in architecture — and recognized that this house had to be saved. “This is a unique building that needs to be preserved,” says Gass.

The story of the house is the stuff of legend, touching not just on the cultural history of the Mile High City, but actually impacting international thought on the concept of building in harmony with the natural environment.

Crowther was born in Newark, New Jersey, in 1910 and moved to San Diego in 1931. There he designed neon signs and built his first environmentally enlightened house in 1936. He came to Colorado in 1948; his first design assignment here was creating the glitzy, Googie-style ticket booths and ride entrances at Lakeside Amusement Park, many of which still stand.

click to enlarge

1948 Ferris wheel neon by Richard Crowther at Lakeside Amusement Park.

Tom Lundin for 5280mod

His architectural career really took off from the 1950s through the 1970s, when Crowther designed many residences in the area, especially in Hilltop and Cherry Creek North. He also found success with designs in the commercial realm — professional buildings, banks, grocery stores, department stores and theaters — constructed not just throughout the metro area, but around the country. The most renowned were his sleek, cylindrical Cinerama theaters, built for the Cooper Trust in Denver as well as St. Louis Park, Minnesota, and Omaha, Nebraska. Most of these buildings, including the Cooper theaters, have been lost to demolition. A few of his houses remain in Cherry Creek, along with such commercial buildings as the former Ginny Williams Gallery at 299 Fillmore Street, originally Crowther’s office and now the Modern Christmas Tree store.

click to enlarge

The Cooper Cinerama Theater, built on Colorado Boulevard in 1960-’61.


While his reputation as an architect was growing, Crowther simultaneously become an expert in the field of alternative energy and energy conservation; he was way ahead of the pack at a time when his environmental concerns were regarded as flaky. He was writing books and giving lectures at professional meetings and the Smithsonian, and was instrumental in mounting the first international solar energy confab: the Solar Heating, Cooling, and Energy Conservation Conference held in Denver in 1974.

As the culmination of all his success and expertise, Crowther built his house on Madison, which served not only as his residence, but also as his office and the site of various real-world experiments testing his still-radical ideas about energy.

Hughes visited Crowther there about a year before the architect died. “In this house, you can see in a physical form his ideas, since it was intended to be his research facility where he conducted experiments in heat conservation and solar energy,” recalls Hughes. “He saw what was coming decades before anyone else. He was looking at indoor air quality before the EPA even existed. He understood that traditional energy resources were finite, and we were using them beyond the planet’s ability to produce them. He was so ahead of us, and that’s what needs to be protected.”

The case for saving the house, which Hart prepared, is pretty much open-and-shut. To be eligible for landmark protection in Denver, a building needs to satisfy at least three criteria outlined in the guidelines, and the Crowther House satisfies four.

Does the property “exemplify the visible characteristics of an architectural style”? Check: The house embodies the Late Modern style. Is the property “a significant example of the work of a recognized architect”? Check: The house is an important building in the oeuvre of an acknowledged master of twentieth-century modern architecture in Colorado. Does the property contain “elements of design, engineering, materials, craftsmanship, or artistic merit which represent a significant innovation or technical achievement”? Check, check, check, check, check: The house is a monument to innovation and technical achievement. Is the property “associated with social movements, institutions, or patterns of growth or change that contributed significantly to the culture of the neighborhood, community, city, state, or nation”? Check: The house’s experimental features were predictive of the now-burgeoning environmental-sustainability movement, which was in its infancy when it was built.

The co-applicants would like to see someone purchase the property with the intention of restoring the house as a luxury residence. In this neighborhood, the price point of $4 million makes that feasible, since the house immediately to the west was appraised at $7 million. Or perhaps a foundation devoted to environmental awareness could take on the place, turning it into a retreat or study model. After all, this house is the original “Earth Ship.”

click to enlarge

Solar office building built by Richard Crowther in 1975 (demolition pending).

Tom Lundin for 5280mod

In any case, they want to see it saved. “Ninety-nine percent of the buildings up for demolition review are not even noticed, but this one has been,” says Hart.

The landmarking process requires that the commission do an objective evaluation of the property in question, and under the rules, the Crowther house should definitely qualify; there will be a hearing on November 1. But there’s a catch to the process: Once the commission approves landmark designation for a property, the nomination must still go to a final vote before Denver City Council, where such history- and community-minded efforts are often snuffed out.

Even without considering the green building innovations, this house is an architectural marvel and a true landmark in a city that, tragically, often recognizes them too late. 

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The Conservative Astroturf Organization Rolling Back Child Labor Protections

This article is a joint publication of The American Prospect and Workday Magazine, a nonprofit newsroom devoted to holding the powerful accountable through the perspective of workers.

The National Federation of Independent Business (NFIB) presents itself as the nonpartisan “voice of small business.” Yet it has a track record of overwhelmingly supporting conservative causes, and has taken millions from right-wing groups. Over the past year, the trade association has teamed up with a bevy of companies to lobby for state-level bills to erode child labor protections, citing the “labor shortage” as justification.

The bills—in Wisconsin, Ohio, and New Jersey—have all been aimed at expanding the number of hours teenagers are allowed to work, despite evidence that too many hours can harm children. A 2011 study published in the journal Child Development found that teenagers who work more than 20 hours per week during the school year may, as a result, face poorer school performance and loss of interest in class, alongside behavioral problems.

More from Sarah Lazare

While NFIB is not the only entity pushing for these bills, its involvement is eye-catching, given the trade association’s reputation. NFIB, whose sticker you can see displayed in numerous small-business establishments, uses its mom-and-pop image to advocate for policies that benefit corporate America. “They have a long history of manipulating data to push a far-right, anti-regulatory agenda,” Rick Perlstein, historian and author of a book about the United States’ right turn in the 1970s, told Workday Magazine and the Prospect.

IN OCTOBER 2021, Ohio lawmakers from both parties introduced a bill to allow 14- and 15-year-olds to work until 9:00 p.m. on a school night, if they receive permission from a parent or legal guardian.

If passed, the legislation will apply to employers who are not covered by the federal labor law known as the Fair Labor Standards Act (FLSA), a list that includes certain small businesses that don’t engage in interstate commerce. The FLSA says that children under 16 must stop working at 7:00 p.m. during the school year, two hours earlier than the proposed Ohio law. Where state labor law conflicts with federal labor law, whichever is more protective of workers reigns.

However, Ohio lawmakers are attempting to use the proposed state law to roll back child labor protections for the entire country. A concurrent resolution that is tied to the legislation calls on the U.S. Congress to bring the FLSA in line with the looser rules proposed for Ohio.

On December 15, 2021, NFIB submitted testimony in support of the effort, arguing that the proposed change “well positions Ohio if and when Congress makes a change to the Fair Labor Standards Act.”

NFIB cited the labor shortage as justification for the changes. “Our members’ inability to fill workplace vacancies has catapulted to the top concern currently facing the success of their businesses.”

Yet NFIB’s agitation against labor protections far predates the present-day labor market reality. The organization, for example, was a supporter of the effort to use the Supreme Court to gut public-sector unions, resulting in the 2018 Janus ruling.

Ohio lawmakers are attempting to use the proposed state law to roll back child labor protections for the entire country.

According to Perlstein, NFIB “masquerades as this organization of small businesses, but it grew into an organization that used the illusion they represent all American small businesses to create this battering ram.” Two laws were in NFIB’s crosshairs specifically: the Occupational Safety and Health Act and the Employee Retirement Income Security Act. “Between 1970 and 1979,” Perlstein said, “the members of NFIB grew from 300 to 600,000, because they became this kind of vector for pushing back against regulations and labor protections.”

Along with NFIB, the effort in Ohio has significant support from the business community. In testimony submitted on December 15, 2021, Todd Bowen, representing the Ohio Restaurant Association, made the case that working longer hours is good for teenagers because it saves them from screen time. “Employment opportunities, especially in sectors like foodservice and retail, where young people learn the incredibly important skill of customer service and interaction with the public will benefit them in their schooling and in their future career.”

In reality, these industries are rife with abuse and wage theft. A September 2021 report by One Fair Wage and the Food Labor Research Center of UC Berkeley found that more than one-third of tipped workers make below their state’s minimum wage, and tipped workers say harassment and customer hostility have worsened during the pandemic.

The Ohio bill is strikingly similar to one that recently passed the state legislature in Wisconsin, though the Wisconsin measure was vetoed by Gov. Tony Evers in February. It would have permitted 14- and 15-year-olds to work as late as 9:30 p.m. on a school night, and until 11:00 p.m. when they don’t have class the following day. The legislation also would have applied to employers who are not covered by the FLSA.

NFIB was among the Wisconsin legislation’s powerful supporters. State lobbying records show that the organization registered its support for the bill on September 27, 2021, alongside entities like the Wisconsin Hotel and Lodging Association and the Association of Wisconsin Tourism Attractions.

The Wisconsin AFL-CIO opposed the measure, with Wisconsin AFL-CIO President Stephanie Bloomingdale saying last year that “if this bill affects one child—that is one child too many.”

Laura Dresser, a labor economist and associate director of the Center on Wisconsin Strategy, a progressive policy organization, told Workday Magazine and the Prospect that the push to erode child labor protections is “less about getting people to pack groceries at 9:00 at night, and more about using every chance you have to use the labor shortage to make an argument to take away regulation.”

“The floor is about wage standards, protecting child labor, protecting health and safety,” she added. “It strikes me that these coordinated approaches are about tearing down the standards that we have.”

While the Wisconsin governor’s veto has blocked the bill for now, Evers is up for re-election in November, and a new governor could permit such a bill to sail through. Evers’s opponent, Tim Michels, is endorsed by former President Trump.

An effort to pass similar legislation in New Jersey was successful on July 5, when Gov. Phil Murphy signed into law a measure that permits 16- and 17-year-olds to work as much as 50 hours a week when they are not in school, and allows 14- and 15-year-olds to work as many as 40 hours during the summer months. The bill makes permanent a more temporary extension that expired last year, and also makes it easier for teenagers to obtain work permits.

Unlike the laws in Wisconsin and Ohio, the New Jersey bill does not go beyond what’s permitted in the FLSA. Rather, it rolls back New Jersey’s youth employment laws, which had previously been more protective.

As in the other states, NFIB lobbied for the measure, with the organization’s state director, Eileen Kean, testifying “in favor of the bill because it may provide some relief to members struggling to hire for the summer months,” according to a June statement from the group.

NFIB was joined by powerful business interests, like the New Jersey Business and Industry Association, and the amusement park company Six Flags Great Adventure.

It is not immediately clear what, if any, role NFIB is playing coordinating, or promoting communication between, these state-level efforts, and the group did not reply to a request for comment. But the involvement of a national trade association, alongside a spate of companies, raises questions about a broader campaign, particularly in light of NFIB’s conservative history.

NFIB WAS ESTABLISHED IN 1943. It claims to represent “hundreds of thousands of small and independent business owners across America,” and is active in all 50 states. The research organization Open Secrets found that, for the 2022 cycle, 98.2 percent of congressional candidates who received money from NFIB were Republicans, while just 1.8 percent were Democrats. This places NFIB to the right of the U.S. small-business owners it claims to represent.

NFIB has taken up a number of causes célèbres for conservatives, including opposition to the Affordable Care Act. In 2012, the organization waged a lawsuit against the Department of Health and Human Services seeking to overturn the legislation. The case made it all the way to the Supreme Court, which took the side of the Obama administration on one aspect, but which also led to states having to opt in to the Medicaid expansion, something which 12 states have still refused to do, leaving millions of Americans without an affordable option for health insurance.

The organization was a strong supporter of conservative Supreme Court Justice Neil Gorsuch, and claims credit for helping ensure that Democratic Supreme Court nominee Merrick Garland never got so much as a hearing. It has pushed for a host of tax cuts for the wealthy, and lobbied against increases to corporate tax rates. Former President Donald Trump spoke at NFIB’s 75th Anniversary and Fly-In in 2018, proclaiming, “For many years, Washington tried to hold you back.”

“Contributions to the NFIB network of nonprofits over the last 6 years are difficult to track because the organizations do not disclose their funding sources or, in the case of the trade association NFIB, its members,” David Armiak, the research director for the Center for Media and Democracy, told Workday Magazine and the Prospect over email. “And the contributors that are identifiable, like The 85 Fund and DonorsTrust, are conduits for donors who wish to remain anonymous.”

The trade association declined to answer requests for information about where it gets its money. The organization does take dues from members, though it does not publicly provide a full list of who these members are.

Labor activists argue that employers have other options for attracting workers—for example, raising wages and improving conditions.

In the past, however, some donations have been unearthed. Roughly a decade ago, it was revealed that NFIB had received $3.7 million from Crossroads GPS, which was co-founded by the conservative consultant and lobbyist Karl Rove. Around the same time, NFIB also received $2.5 million from groups affiliated with the Koch network, The Washington Post reported.

There are signs, meanwhile, that NFIB continues to move within this ecosystem of conservative organizations. As recently as September of 2019, NFIB co-hosted a roundtable on “Business Tax Relief” with the New Hampshire branch of Americans for Prosperity, a central player in the Koch network. AFP has engaged in extensive political advocacy aimed at gutting public programs, including Medicaid, and was one of the organizations that agitated against the temporary work closures that were aimed at protecting public health during the early phases of the pandemic.

NFIB IS NOT THE ONLY CONSERVATIVE ORGANIZATION to push back against child labor protections in recent years. The Acton Institute, a think tank that has received funding from billionaire Betsy DeVos, the education secretary under former President Trump, garnered headlines in 2016 when it published a blog post headlined “Work is a gift our kids can handle.” DeVos served on the board of the organization from 1995 to 2005.

NFIB’s present-day anti-regulatory push threatens some of the most vulnerable U.S. workers.

The negative health consequences of child labor are well established. In one 2019 paper published in the Journal of Public Health, researchers found that, in lower- and middle-income countries, child labor (defined as 18 or younger) is associated with “poor growth, malnutrition, higher incidence of infectious and system-specific diseases, behavioral and emotional disorders, and decreased coping efficacy.”

“The general purposes behind child labor laws—to keep children safe, to provide children with time for meaningful educational opportunities, and to promote children’s well-being—must not be forgotten,” Kate Griffith, professor at Cornell’s School of Industrial and Labor Relations, told Workday Magazine and the Prospect over email. “They were important a hundred years ago when these laws started to proliferate, and they are still important today.”

State legislators are pushing to loosen child labor laws at a time when a key federal anti-poverty program for children has dried up. The Child Tax Credit, in which the Internal Revenue Service disbursed payments of $250 to $300 per child to 36 million homes, stopped at the end of 2021, and Congress declined to renew it. The expiration threw 3.7 million children into poverty, according to a study from Columbia University, spiking the child poverty rate from 12.1 percent in December 2021 to 17 percent in January 2022.

There are signs that more teenagers are working. The summer of 2021 saw the highest level of teen employment since 2008, at a rate of 32 percent. And as Indigo Olivier pointed out in The Conversationalist, some businesses, like McDonald’s, have been aggressively recruiting 14- and 15-year-olds.

Instead of expanding labor hours for children, labor activists argue that employers have other options for attracting workers—for example, raising wages and improving conditions.

Toward this end, Peter Rickman, president of the Milwaukee Area Service and Hospitality Workers Organization, said that politicians should withstand pressures from groups like NFIB and pursue policies that strengthen, rather than erode, labor standards.

“Policymakers should skip doing the bidding of the boss class, and employers who’ve failed to provide good, family-supporting employment,” he said. “And they should focus on making this labor market work to support good, living-wage, union jobs.”

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