Armor For Sleep w/ special guests The Early November & The Spill Canvas at The Wellmont Theater

The Early November will be playing their album The Room’s Too Cold in its entirety at this show!

The Early November has always been ruled by nostalgia. Frontman Ace Enders was only a teenager when the band started life in New Jersey in 2001, but even then he was already lost inside his past, forever trying to recapture that most impossible of things to capture – time, as well as everything that happens inside it. It’s ironic, then, that Twenty manages – as much as is possible – to do that. A celebration of the two decades that have somehow passed since debut EP For All Of This came out, these 10 songs don’t just get lost within the past, but also redefine it, bringing it fully into the present. Recorded and produced by Enders mostly at his Ocean City, NJ studio, with founding drummer Jeff Kummer in tow, Twenty effortlessly straddles the divide between then and now, its 10 songs casting a backwards glance at the days and years gone by, while also looking forward to the future. A collection of both brand new tracks and older ones written during the course of the band’s life to date, the result is something of a paradox: this both is and isn’t a new Early November record. https://theearlynovemberband.com/

With a slew of albums under their belt including 2005’s One Fell Swoop, 2007’s follow-up No Really, I’m Fine (which was released on Warner and reached the number 2 spot on Billboard’s Top Heatseekers chart), 2012’s Gestalt and 2018’s EP Hivemind, the Spill Canvas has returned with Conduit, its first LP in almost a decade. Listening to these 10 songs it’s clear that Conduit is more than a new Spill Canvas album. Rather, it’s the start of a second phase for the band. Together, vocalist Nick Thomas, longtime bassist Landon Heil, drummer Bryce Job and lead guitarist Evan Pharmakis, reached deep into Thomas’ heart and soul to create something that bristles with the earnest, emotional urgency that was always at the band’s core, but which also reflects who Thomas is now and everything that made him into that person. Conduit was recorded at Soundmine Studios in the Pocono Mountains in Pennsylvania. Self-produced by the band with help from their manager John Rupp, it was mixed by Soundmine Studio owner Dan Malsch and then mastered by GRAMMY Award-winning mastering engineer Emily Lazar (Beck, the Foo Fighters, Coldplay, Haim and The Killers). The result is a collection of rich, full songs that, while still recognizable as The Spill Canvas, certainly highlight Thomas’ intention for this to be the start of something new. At its heart, though, the purpose of the band remains the same as it always was – to write songs that move people and to be able to connect with them. https://www.thespillcanvas.net/